The revolutionary nature of art, from the groundbreaking author of Ways of Seeing

The Moment of Cubism is one of John Berger's most important collections of art criticism. Whether considering Vermeer in his studio, Poussin's poignant meditation on death, or the complexities of Rodin's sculpture, Berger draws together the threads that bind individual artists to their social and political context. Here Berger argues that Cubism was a moment rather than a movement, one that came and went without the consent of its key figures - Picasso and Braque above all. He makes a case for Cubism's revolutionary influence. As always, Berger helps us see the world in new ways.

"Some of the most astute critics and historians of modern painting, among whom John Berger, English novelist and art critic of the New Statesman, occupies an eminent place, believe that Picasso and Braque never surpassed the works of their Cubist period" - New York Times