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The monograph analyses music composition as a semiotic phenomenon of Ukrainian culture of the twentieth – early 20th century, the semantics of musical composition as a textual integrity was established, the scientific and theoretical comprehension of contemporary Ukrainian music was carried out on the application of the postatee of the brilliant composer of the world level Є.Stankovych, who reflected in the genesis of creativity all the metamorphoses that belong to good.

The materials of the monograph can be used in the content of disciplines «Contemporary Ukrainian music», «Analysis of musical creations» and others, in theoretical research in cultural studies and art history, devoted to the analysis of stylistic peculiarities of composers' works, as well as form the basis for methodological support of self-study work of students of higher art schools.

Theoretical research in cultural studies and art history, devoted to the analysis of stylistic peculiarities of composers' works, as well as form the basis for methodological support of self-study work of students of higher art schools.