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The author of the book, corresponding member of the Academy of Arts of Ukraine, Doctor of Art History Valeriy Haydabura, known for his monographic study of the performing arts in Ukraine during the period of the Nazi occupation (1941-1944), this time was the first in the national theatre studies to generalise the long-term practice of the post-war theatre of the Ukrainian diaspora and its interpretation as an integral part of the complex history of the national art of the twentieth century.

The phenomenon of the Ukrainian post-war diaspora stage is studied by the author in a popular science form; the methodology is based on personalism and the psychoanalytic possibilities of epistology.

The book contains materials, documents, personalities, memoirs, correspondence, and the author's reflections.