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Taras Prokhasko, who has been promising us to write a novel for a long time, hasn't written it again. Instead, he wrote a series of shorts or, perhaps, essays in his own style, which is not confusing with anyone. About what? About the same thing: about the future that was long ago, and about everything that already exists, but you don't know how long it will be. In particular, about such simple things as balconies and curtains, light and stones, swings and toilets, walking through the city and shooting a film in the Carpathians, the formula for happiness and the factor of influence, babington and selbsferstendlich, etc. And also about how you need to sleep carefully, have breakfast in your own way, and watch with your eyes on the horizon. Yes, but this is not the main thing here. Because the main thing here is the type of narrative in which reflections become elements of the plot and are revealed not as written after the fact, but as spoken at the moment of birth. And that is why these are neither shkits nor essays, but narratives in the strictest sense of the word."

Oleksandr Boychenko

While reading the book, I looked through folders with works from different periods, living my own history.The key to the series «Meals» was the thought: «Everything that unites us  — is the experience of communication. Only it matters and remains in the memory."
Alena Priduvalova

To unite two creators from different fields of art with one important idea is the main thing in this concept. Only an accurate hit can be the path to success. The coincidence of views on life and creativity, a deep philosophical comprehension of one's being as an artist and a human being - this is the main thing in the dialogue between the writer and the artist that we see as a result of this incredible union.
Tetyana Shved (Bezkorovaina)