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The autobiographical novel Death on Credit (1936) is considered one of the most frank and shocking in the author's oeuvre, depicting the filth, cruelty, hopelessness and hopelessness of the Parisian "bottom". At the same time, the novel is a prequel to Céline's first major novel, Journey to the Edge of the Night, which made him famous and provoked a stormy and ambiguous reaction from readers and critics, ranging from complete admiration to total rejection.