Galleys available in October Blurbs sought from Max Porter, Rikki Ducornet, and Chloe Aridjis Events in Houston, New York, Boston, Washington DC Author attendance at Winter Institute 2022 and Texas Book Festival 2022 National print, radio, and online campaign Pre-order campaign through Brazos Bookstore Targeted bookseller outreach with personal appeal from Mark Promotion on Coffee House Press e-newsletter, website, and social media channels Giveaways on Twitter, Instagram, and Goodreads Simultaneous print and e-book release Inclusion on Ingram academic website

“What I wanted more than anything was to be standing beside Schmidt, in concert with Schmidt, at the foot of Saint Sebastian’s Abyss along with Schmidt, hands cupped to the sides of our faces, debating art, transcendence, and the glory of the apocalypse.” Former best friends who built their careers writing about a single work of art meet after a decades-long falling-out. One of them, called to the other’s deathbed for unknown reasons by a “relatively short” nine-page email, spends his flight to Berlin reflecting on Dutch Renaissance painter Count Hugo Beckenbauer and his masterpiece, Saint Sebastian’s Abyss, the work that established both men as important art critics and also destroyed their relationship. A darkly comic meditation on art, obsession, and the enigmatic power of friendship, Saint Sebastian’s Abyss stalks the museum halls of Europe, feverishly seeking salvation, annihilation, and the meaning of belief.