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The book is dedicated to the main street of the capital. It examines the forced transformations of Khreshchatyk in the 1930s, the vicissitudes of the 1940s competition to find the best conceptual solutions for post-war planning and stylistic guidelines, and the experience of restoration work.

A separate section of the book - 10 architectural essays of post-war Khreshchatyk - is about the meaning of the created architectural forms. The author also spoke about two international architectural competitions to create the project of the Museum of the Revolution of Dignity.