The highly chromatic music of the late 1800s and early 1900s includes some of the best-known works by Gustav Mahler, Richard Strauss, Cesar Franck, and Hugo Wolf. In this book, Daniel Harrison builds on nineteenth-century music theory to provide an original and illuminating method for analyzing chromatic music. Combining theoretical innovations with a sound historical understanding, "Harmonic Function in Chromatic Music" will aid anyone studying this pivotal period of Western music history.