The book provides a complementary view of modernism by investigating Anglo-American little magazines published in Europe in the 1920s and 1930s. Addressing symbolic and practical aspects of physical location and international themes in the little reviews, it highlights the infrastructure of modernism – networks, finances and genealogies. The authors link activities, strategies and negotiations with the creation of modernism as we know it, as magazine editors are shown to be highly conscious of their role as canon-makers. In this rendition, modernism is intrinsically linked with its agents and practices and pushes the dividing lines between narrow elite culture and wider readerships, as well as between cosmopolites and tourists.